रस की अवधारणा

Hareshwar Roy,
रस की अवधारणा
रस की अवधारणा भारतीय कविता की एक भव्य पुरानी अवधारणा है। रस को संस्कृत साहित्य का सर्वोच्च मूल्य माना गया है। यह सौंदर्य सुख का दूसरा नाम है। नाट्यशास्त्र के रचयिता भरत मुनि को रस सिद्धांत के प्रथम आचार्य के रूप में जाना जाता है। एक प्रसिद्ध दार्शनिक अभिनवगुप्त ने भरत मुनि द्वारा प्रतिपादित रस सिद्धांत की व्याख्या की है।भरत मुनि ने आठ रसों का प्रतिपादन किया है । उनके नाट्यशास्त्र के अनुसार, प्रत्येक रस का एक पीठासीन देवता और एक विशिष्ट रंग होता है। उन्होंने निम्नलिखित की स्थापना की:
1. श्रृंगारम (प्रेम, आकर्षण): पीठासीन देवता - विष्णु; रंग- हल्का हरा।
2. हास्यम (हँसी, हास्य): पीठासीन देवता - प्रमाता; रंग- सफेद।
3. रौद्रम (रोष): पीठासीन देवता - रुद्र; रंग- लाल।
4. करुण्यम (करुणा, दया): पीठासीन देवता - यम; रंग- ग्रे।
5. बिभत्सम (घृणा, घृणा): पीठासीन देवता - शिव; रंग- नीला।
6. भयनाकम (डरावनी, आतंक) - पीठासीन देवता - काल; रंग - काला।
7. वीरम (वीर मूड) - पीठासीन देवता - इंद्र; रंग - पीला-सा ।
8. अद्भुतम (आश्चर्य, विस्मय) - पीठासीन देवता - ब्रह्मा; रंग- पीला।
Location: B-37, City Homes Colony, Jawahar Nagar Satna, Madhya Pradesh, India
Dr. Hareshwar Roy beautifully connects global research with local literature. Born in 1964 in Jamuaon (Bhojpur, Bihar), he studied at Patna University and earned his Ph.D. from APS University, Rewa. Currently, he serves as Professor of English at Government P.G. College Satna, Madhya Pradesh. Dr. Roy bridges two worlds: in class, he explains international migration and literary history, while in his heart, he keeps the rich spirit of the Bhojpuri language alive. He has published over 45 research papers focused on Indian Diaspora Writing. As an author in English, he has written Diasporic Articulation in the Novels of M.G. Vassanji, A Study of M.G. Vassanji's Novels, Varieties of Indianity in the Works of M.G. Vassanji and Rohinton Mistry, Diaspora and Indian Diaspora: A Brief Study, Short Notes of English Literature - I and Short Notes of English Literature - II. Rooted in his soil, he is a celebrated Bhojpuri poet featured on 'Kavita Kosh' and in popular collections like Hamar Pahchan Ha Bhojpuri, Hamra Pyar Ho Gail, and Bhojpuri Kavitayein. Ultimately, his life and writings serve as an inspiring example of how academic scholarship and local roots thrive together perfectly.

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The Sundara Kanda: An Introduction

Hareshwar Roy,
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The Bangle Sellers by Sarojini Naidu: Multiple Choice Questions with Answers

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Abhigyan Shakuntalam: A Summary

Hareshwar Roy,
Abhigyan Shakuntalam: A Summary Introduction: Kalidasa is a major poet and playwright in classical Sanskrit literature. It is he who composed Abhigyan Shakuntalam . This play starts with a Prologue. This Prologue consists of benediction and a conversation between the director and an actress. The benediction is performed before the beginning of the play. The benediction is an invocation to Lord Siva. The actor-manager and the actress talk about the play of the day. The readers are informed that a new play by Kalidasa is going to be staged. On the request of the manager, the actress sings a romantic song about the summer season for the audience. Act One: Act I of Abhigyan Shakuntalam begins with the description of the summer season by the narrator. He also introduces king Dushyanta who is on hunt. Chasing a deer king Dushyanta enters the ashram of sage Kanva in his chariot. He has bow and arrow in his hands. The king aims at the deer but an ascetic forbids him to hunt in the premises...
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On the Rule of the Road by A.G. Gardiner: A complete Study

Hareshwar Roy,
On the Rule of the Road: A.G. Gardiner A. TEXT: A stout old lady was walking with her basket down the middle of a street in Petrograd to the great confusion of the traffic and with no small peril to herself. It was pointed out to her that the pavement was the place for foot-passengers, but she replied: "I'm going to walk where I like. We've got liberty now." It did not occur to the dear old lady that if liberty entitled the foot-passenger to walk down the middle of the road it also entitled the cab-driver to drive on the pavement, and that the end of such liberty would be universal chaos. Everybody would be getting in everybody else's way and nobody would get anywhere. Individual liberty would have become social anarchy. There is a danger of the world getting liberty-drunk in these days like the old lady with the basket, and it is just as well to remind ourselves of what the rule of the road means. It means that in order that the liberties of all may be p...
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Where the Mind is without Fear: Objective Type Questions

Hareshwar Roy,
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