Hamlet: Major Characters

Hareshwar Roy,





Location: B-37, City Homes Colony, Jawahar Nagar Satna, Madhya Pradesh, India
Dr. Hareshwar Roy beautifully connects global research with local literature. Born in 1964 in Jamuaon (Bhojpur, Bihar), he studied at Patna University and earned his Ph.D. from APS University, Rewa. Currently, he serves as Professor of English at Government P.G. College Satna, Madhya Pradesh. Dr. Roy bridges two worlds: in class, he explains international migration and literary history, while in his heart, he keeps the rich spirit of the Bhojpuri language alive. He has published over 45 research papers focused on Indian Diaspora Writing. As an author in English, he has written Diasporic Articulation in the Novels of M.G. Vassanji, A Study of M.G. Vassanji's Novels, Varieties of Indianity in the Works of M.G. Vassanji and Rohinton Mistry, Diaspora and Indian Diaspora: A Brief Study, Short Notes of English Literature - I and Short Notes of English Literature - II. Rooted in his soil, he is a celebrated Bhojpuri poet featured on 'Kavita Kosh' and in popular collections like Hamar Pahchan Ha Bhojpuri, Hamra Pyar Ho Gail, and Bhojpuri Kavitayein. Ultimately, his life and writings serve as an inspiring example of how academic scholarship and local roots thrive together perfectly.

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Longinus: Sources of Sublimity

Hareshwar Roy,
INTRODUCTION: Longinus is one of the greatest Greek critics. His position is only next to Aristotle. His 'On the Sublime' is an immortal critical document of great worth and significance. It deals wit h the principle of sublimity in the world of writing. Here Longinus discusses the meaning, the nature and the sources of sublime. He distinguishes the true sublime from the false sublime. He advises how to overcome the vices of sublime. His suggestions are of permanent and paramount value. WHAT IS SUBLIMITY: Sublimity is a certain loftiness, distinction and consummation of excellence in language, expression and composition. It is the echo of a great soul. It raises style above the ordinary. Some persons are of the view that sublimity is a gift of nature. They think that it has nothing to do with art. But one should not forget that nature needs the help of art to control its wild impulses. In fact, both nature and art contribute to sublimity in literature. According to L...
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Abhigyan Shakuntalam: A Summary

Hareshwar Roy,
Abhigyan Shakuntalam: A Summary Introduction: Kalidasa is a major poet and playwright in classical Sanskrit literature. It is he who composed Abhigyan Shakuntalam . This play starts with a Prologue. This Prologue consists of benediction and a conversation between the director and an actress. The benediction is performed before the beginning of the play. The benediction is an invocation to Lord Siva. The actor-manager and the actress talk about the play of the day. The readers are informed that a new play by Kalidasa is going to be staged. On the request of the manager, the actress sings a romantic song about the summer season for the audience. Act One: Act I of Abhigyan Shakuntalam begins with the description of the summer season by the narrator. He also introduces king Dushyanta who is on hunt. Chasing a deer king Dushyanta enters the ashram of sage Kanva in his chariot. He has bow and arrow in his hands. The king aims at the deer but an ascetic forbids him to hunt in the premises...
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Where the Mind is without Fear: Objective Type Questions

Hareshwar Roy,
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  (i) The poem 'Where the Mind is Without Fear' is written by: a. Rabindranath Tagore b. Sarojini Naidu c. William Wordsworth d. Toru Dutt Answer: a. Rabindranath Tagore (ii) Rabindranath Tagore is a well-known poet from: a. Orissa b. West Bengal c. Bihar d. Kerla Answer: b. West Bengal (iii) Rabindranath Tagore was awarded the Nobel Prize for literature in the year: a. 1931 b. 1921 c. 1913 d. 1945 Answer: c. 1913 (iv) Which of the following is a very famous work by Tagore? a. Sharadhanjali b. Gitanjali c. Geetmala d. Savitri Answer: b. Gitanjali (v) What is meant by the sub clause 'Where the mind is without fear and head is held high': a. To be fearless and self respecting b. To be proud of one's high position c. To stand straight d. To be fearless and haughty Answer: a. To be fearless and self respecting (vi) According to Tagore what is meant by the sub-clause 'Where knowledge is free'? a. Where people do not have to pay for education b. Where people ha...
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The Sundara Kanda: An Introduction

Hareshwar Roy,
Introduction: In Sanskrit literature Maharshi Valmiki is celebrated as the poet harbinger. His reputation as the father of Indian poetry seems to have been legendary. It is he who composed The Ramayana, an ancient Sanskrit epic. It forms an important part of the Hindu canon (Smriti). It deals with divine Lord Ram and his journey of life. It tells the story of Ram, an incarnation of the Hindu preserver-god Vishnu. Thematically, the epic explores the tenets of human existence and the concept of dharma. It is one of the two great epics of India, the other being the Mahabharata. It portrays ideal characters like the ideal servant, the ideal brother, the ideal wife and the ideal king. Valmiki’s Ramayana is one of the world's most remarkable classics and excels all in its moral appeal. It is full of lessons for all and deserves to be read with interest and profit by all lovers of healthy literature. It is noted for its poetic excellence. It stands equal in rank to the Vedas. It contai...
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On the Rule of the Road by A.G. Gardiner: A complete Study

Hareshwar Roy,
On the Rule of the Road: A.G. Gardiner A. TEXT: A stout old lady was walking with her basket down the middle of a street in Petrograd to the great confusion of the traffic and with no small peril to herself. It was pointed out to her that the pavement was the place for foot-passengers, but she replied: "I'm going to walk where I like. We've got liberty now." It did not occur to the dear old lady that if liberty entitled the foot-passenger to walk down the middle of the road it also entitled the cab-driver to drive on the pavement, and that the end of such liberty would be universal chaos. Everybody would be getting in everybody else's way and nobody would get anywhere. Individual liberty would have become social anarchy. There is a danger of the world getting liberty-drunk in these days like the old lady with the basket, and it is just as well to remind ourselves of what the rule of the road means. It means that in order that the liberties of all may be p...
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