BA I Year: English Literature (Minor- II)

Hareshwar Roy,


Syllabus (Session 2025-26 onward)
BA I Year: English Literature (Minor- II)
Course Title: Indian Literature in Translation (Paper 2)
Course Type: Minor 2
Credit Value: 4
CCE: 30 Marks; Written Examination: 70
Max Marks- 100; Min. Passing Marks- 35
Content of the Course
UNIT I
Poetry
(i) Gujrati Folk Song ‘Rain of the World’ (Translated by Madhubhai Patel)
(ii) Padma Sachdev ‘The Well’ (Translated from Dogri by Iqbal Masud)
(iii) G. S. Shivarudrappa: ‘My Pocket’ (Translated from the Kannada by O. L. Nagabhushana Swamy}
Keywords: Translation, Figurative Language, Imagery, Nature Poetry, Feminism, Indian Folk Song Tradition, Depiction of Society
Activities: Read the poem in class, Analyse and appreciate the figures of speech.
UNIT II
Drama
Mohan Rakesh: One Day in Ashadha
Keywords: Indian Drama, Indian Stage Craft, Sanskrit Theatre, Plot, Character Study, Dialogue, Indian Society in Drama.
Activities: Compose dialogues on a given situation; Compare an Indian and a Modern British Drama bringing out the differences.
UNIT III
Fiction
Sudha Murthy: Dollar Bahu
Keywords: Elements of Fiction, Feminism, Gender, Culture, Women novelist, Indian society in Indian Novels, Plot, characters.
Activities: To summarise given text other than prescribed novel, Select characters and point out their virtues and vices.
UNIT IV
Ancient Indian Short Fiction
(a) Stories from Panchatantra:
(i) The Tortoise and the Geese
(ii) Four Friends and the Hunter
(b) Fables from Indian Folklore:
(i) The Blind Men and the Elephant
(ii) The Story of the Learned Fool
Keywords: Indian wisdom, animal characters, moral lesson, narration, worldly conduct, prudent conduct, epigrammatic verses to illustrate objectives, virtues.
Activities: Discuss the selected stories and bring out the values in them Appreciate Indian fables and Folklores, regional stories, narrative technique.
UNIT V
Modern Indian Short Fiction
(i) R. N. Tagore: Kabuliwala
(ii) Premchand: Namak ka Daroga
Keywords: Individualism, Success and Failure, Nature, Choices, Determinism vs Free Will, Symbolism, Transcendentalism, Self-Reflection, Ambiguity, Modernity.
Activities: Enactment of certain part of the novel Contemporary issues that are found in the story.
*****
Location: B-37, City Homes Colony, Jawahar Nagar Satna, Madhya Pradesh, India
Currently Dr. Roy is working as Professor of English at Govt. P.G. College Satna, Madhya Pradesh. He is the author of the following books: (1) Diasporic Articulation in the Novels of M.G. Vassanji (2) A Study of M.G. Vassanji 's Novels (3) Varieties of Indianity in the Works of M.G. Vassanji & Rohinton Mistry (4)Diaspora & Indian Diaspora: A Brief Study (5) Short Notes of English Literature - I (6) Short Notes of English Literature - II (7) हमार पहचान ह भोजपुरी - भोजपुरी कविता संकलन (8) हमरा प्यार हो गइल - भोजपुरी गज़ल संकलन (9) भोजपुरी कविताएँ

Translate

Popular Posts

JOHN DONNE AS A METAPHYSICAL POET

Hareshwar Roy,
INTRODUCTION: John Donne is the leader and founder of the Metaphysical school of poetry. His poetry is a revolt against the popular current. First of all Dryden used the term ' Metaphysical' for Donne's poetry. He said,' Donne affects the metaphysics'. Later on Dr. Johnson called Donne and his followers 'the metaphysical poets'. Since then the word metaphysical has been used for Donne and his followers. WHAT IS METAPHYSICAL POETRY: The term metaphysics means something supernatural and transcendental. Its sense is 'what is beyond physical'. It is concerned with fundamental problems of life and death and soul even after death. The term metaphysical poetry means poetry dealing with metaphysical subjects. These subjects are - nature of universe, movements of stars and planets and the whole relationship of man to God. MAIN CHARACTERISTICS: We should cast a glance at the main characteristics of metaphysical poetry before we proceed to examine Donne a...
Read more

The Axe by R.K.Narayan: Text & Summary

Hareshwar Roy,
An astrologer passing through the village foretold that Velan would live in a three-storeyed house surrounded by many acres of garden. At this everybody gathered round young Velan and made fun of him. For Koppal did not have a more ragged and godforsaken family than Velan’s. His father had mortgaged every bit of property he had, and worked, with his whole family, on other people’s lands in return for a few annas a week . . . A three-storeyed house for Velan indeed! . . . But the scoffers would have congratulated the astrologer if they had seen Velan about thirty or forty years later. He became the sole occupant of Kumar Baugh—that palatial house on the outskirts of Malgudi town.   When he was eighteen Velan left home. His father slapped his face one day for coming late with the midday-meal, and he did that in the presence of others in the field. Velan put down the basket, glared at his father and left the place. He just walked out of the village, and walked on and on ti...
Read more

LONGINUS: SOURCES OF SUBLIMITY

Hareshwar Roy,
INTRODUCTION: Longinus is one of the greatest Greek critics. His position is only next to Aristotle. His 'On the Sublime' is an immortal critical document of great worth and significance. It deals wit h the principle of sublimity in the world of writing. Here Longinus discusses the meaning, the nature and the sources of sublime. He distinguishes the true sublime from the false sublime. He advises how to overcome the vices of sublime. His suggestions are of permanent and paramount value. WHAT IS SUBLIMITY: Sublimity is a certain loftiness, distinction and consummation of excellence in language, expression and composition. It is the echo of a great soul. It raises style above the ordinary. Some persons are of the view that sublimity is a gift of nature. They think that it has nothing to do with art. But one should not forget that nature needs the help of art to control its wild impulses. In fact, both nature and art contribute to sublimity in literature. According to L...
Read more